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Director Michel Hazanavicius had been fantasizing about making a silent film for many years, both because many filmmakers he admires emerged in the silent era, and because of the image-driven nature of the form. According to Hazanavicius his wish to make a silent film was at first not taken seriously, but after the financial success of his spy-film pastiches OSS 117: Cairo, Nest of Spies and OSS 117: Lost in Rio, producers started to express interest. The forming of the film's narrative started with Hazanavicius' desire to work again with actors Jean Dujardin and Bérénice Bejo, Hazanivicius's wife, who had starred in OSS 117: Cairo, Nest of Spies with Dujardin. Hazanavicius chose the form of the melodrama, mostly because he thought many of the films from the silent era which have aged best are melodramas. He did extensive research about 1920s Hollywood, and studied silent films to find the right techniques to make the story comprehensible without having to use too many intertitles. The screenplay took four months to write.
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Peppy insists to Zimmer that Valentin co-star in her next film, threatening to quit Kinograph if Zimmer does not agree to her terms. After Valentin learns to his dismay that it had been Peppy that had purchased all his auctioned effects, he returns in despair to his burnt-out apartment. Peppy arrives, panicked, and finds that Valentin is about to attempt suicide. The two reconcile, and remembering Valentin's superb dancing ability, Peppy persuades Zimmer to let them make a musical together.
Sound finally comes in as the film starts rolling for a dance scene with Peppy and Valentin. Once the choreography is complete, the two dancers are heard panting, and the only time in the film sound is heard coming from Peppy, who otherwise says nothing. The director of the musical calls out audibly, "Cut!" to which Zimmer adds: "Perfect. Beautiful. Could you give me one more?" Valentin, in his only audible line, replies "With pleasure!" revealing his strong French accent.[17] The camera then pulls back to the sounds of the film crew as they prepare to shoot another take.        watch more

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Two years later, Zimmer announces the end of production of silent films at Kinograph Studios, but Valentin is dismissive, insisting that sound is just a fad. In a dream, Valentin begins hearing sounds from his environment (as does the audience), but cannot speak himself, then wakes up in a sweat. He decides to produce and direct his own silent film, financing it himself. The film opens within a few days of Peppy's new sound film as well as the 1929 Stock Market Crash. Now Valentin's only chance of avoiding bankruptcy is for his film to be a hit. Unfortunately audiences flock to Peppy's film instead and Valentin is ruined. His wife, Doris, kicks him out, and he moves into an apartment with his valet/chauffeur, Clifton, and his dog. Peppy goes on to become a major Hollywood star.    watch more

the artist cast

The Artist received strongly positive reviews from critics and won many accolades. Dujardin won the Best Actor Award at the 2011 Cannes Film Festival, where the film premiered. The film was nominated for six Golden Globes, the most of any 2011 film, and won three: Best Motion Picture – Musical or Comedy, Best Original Score, and Best Actor – Motion Picture Musical or Comedy for Dujardin. In January 2012, the film was nominated for twelve BAFTAs, also the most of any film from 2011,[12] and won seven, including Best Film, Best Director and Best Original Screenplay for Hazanavicius, and Best Actor for Dujardin.
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